As a rule, no, but I’ll make some rare exceptions.

It has to be a small studio, I have to be pretty sure I’ll like their next game, and I have to have enjoyed their past game enough that it’s worth throwing them a few extra bucks.

For instance, I’m going to pre-order Slay the Spire 2.

• Mega Crit is an indie studio.

• I thought StS1 was exquisite, so I’m optimistic about a sequel from the same people.

• I playes StS1 for hundreds of hours, so even if the sequel is a whiff, I’d have got my money’s worth from them.

Similar goes for The Haunted Chocolatier, since I played the heck out of Stardew Valley.

My favorite part is when they complain about the overuse of the word “tankie,” then call literally every other kind of leftist a lib.

I love the level-0 “funnels” from Goodman Games. If I have to pick one, let’s say the classic, Sailors on the Starless Sea.

They’re easy to pitch, and really help establish a tone, especially for players who bring a lot of preconceptions from 5e.

It’s bad enough being one of those states now, and I’m in one of the good ones.

I played the heck out of NWN when I was a teenager!

…by which I mean I was excited by the character options, so I ended up restarting it over and over again. I’ve done the Waterdhavian Creatures quest so many times I burnt out. :P

I should go back and actually beat the game.

I’m not sure if they deleted it or I just can’t find it, but there was a post on the LW destination that said the mods talked about the near-universal, overwhelmingly negative response, and were split 2-2 on what to do: either cancel the plans, or keep going anyway. They only made this post after considering the aforementioned near-universal, overwhelmingly response a tiebreaker.

I think that really encapsulates the problem.

Just for context for those who haven’t heard the podcast: the Christmas episodes often center around non-bastards. This is one of those. :P

Sokka, Scanlan, John Snow, Walter White - except “more based” or “less of a cuck”.

The two that stick out most to me are Sokka and Walter White.

A major part of Sokka’s character arc is outgrowing his misogyny. I mean, Christ, the Kyoshi Warriors episode had him humble himself, ask to learn, and crossdress.

As for Walter White, his arc is becoming “more based” and “less of a cuck.” It’s also about him becoming a total monster.

There’s been a lot of discourse about “media literacy,” and it’s frustrating that the people who most lack it, often in destructive ways, end up just dismissing the criticism out of hand, as though it’s not dead-on.