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I’m not so sure it didn’t have a target audience so much as it was a casualty of the shift to dispersed streaming where everyone pays a ton for platforms so they only consume what’s on it.
It just dropped at the wrong time and didn’t see widespread chatter because everything is so fractured.
It feels like these days things need to either be picked up by a platform willing to ride it out (like Apple+ seems to be), or find some way to get a solid piracy footprint before the contract ends. And that’s a tall order for animation not aimed at kids, sadly.
But most of the best animation in the last 5-ish years is super difficult to find on most piracy sites… so nobody gets a chance to actually see if they like it.
I mean that’s a big question…
Most of the stuff I struggled too much with I’ve forgotten about, tbh. I like to try to find everything I can, and I’ll sit on stuff for months if I have to… I’m definitely a data hoarder. I have 498 cartoon series and most of them aren’t anime or pre 1990s. But I have adhd and no attention span so sometimes i just give up.
Specific things that have caused significant issues and I’ve already watched and enjoyed: wolfboy and the everything factory, Elliot from earth, crossing swords, costume quest, human discoveries. I know a lot of the ones on my to-watch list were also tantrum inducing and I have a whole ass list of others I can’t find at all
But most of the stuff that’s had the fewest seeds and leeches has been stuff from the last 10 years, especially the last 5, if it wasn’t on syndication (and even a lot of that is painful to get)