Thanks.
Edit: Not sure who’s downvoting me for asking reasonable questions.
Plutus, Haskell, Nix, Purescript, Swift/Kotlin. laser-focused on FP: formality, purity, and totality; repulsed by pragmatic, unsafe, “move fast and break things” approaches
AC24 1DE5 AE92 3B37 E584 02BA AAF9 795E 393B 4DA0
Thanks.
Edit: Not sure who’s downvoting me for asking reasonable questions.
Doesn’t the new Chinese model just released actually do abstract reasoning?
DeepSeek-R1 leverages a pure RL approach, enabling it to autonomously develop chain-of-thought (CoT) reasoning, self-verification, and reflection—capabilities critical for solving complex problems.
To my untrained self, that sounds like reasoning.
I’d like to see them hire some formal methods people to at least formally verify crucial parts of it.
It might actually also be good to analyze it with an LLM to identify any hidden problem areas.
I’m interested to hear why my idea is probably foolish as well, though.
Documentary filmmaker Sharmeen Obaid-Chinoy is due to make her narrative feature debut with the project
Mark my words: they GUARANTEE that it will be bad by hiring a first time director that has previously only worked in documentaries for a movie with a budget this big. How can they STILL keep making these unforced errors with billion dollar franchises?
Look into one Mr. Frank Grillo for all of the things you seek.
He’s truly not very nice! In fact, he’s (IMO) the polar opposite of someone classy like the late Christopher Plummer (RIP) whom I got to work with on a feature years back.
Edit: or Anthony Hopkins who introduced himself to my friend as “Tony”.
I worked on a few movies with him.
Here’s the exact exchange I overheard between him and a PA on the set of Finestkind:
PA: “Can I get you anything, Mr. Jones?”
Tommy Lee Jones: “I’ll have some hot tea please.”
PA: “We have Oolong tea, Earl Grey, Green Tea, or would you like something else?”
Tommy Lee Jones: “I’d like a hot cup of too many fucking questions!”
So yeah. This is EXACTLY what he’s like. He does NOT put up with bullshit.
I heard zcash figured out their spamming issues and is now considered secure.
I’m also a fan of Midnight once they go open source. I moderate their community on here and decided to lock it until they open source it. Until then, I consider it a CIA honeypot.
🥱
🤌🏼your review is ::chef’s kiss::
Thank you.
I mean, did people expect anything good from a sequel to a movie that literally didn’t need a sequel?
the whole article
The Super Bowl is by far the biggest TV event of the year. But for movie studios eager to capitalize on the enormous power of the NFL as a marketing platform for upcoming blockbusters, it’s not the only game in town, and sports-related opportunities to impress hard-to-reach audiences don’t begin and end there.
Inevitably, there’s considerable focus on which movie ads drop during the Super Bowl, which takes place Feb. 9 this year and will be broadcast by Fox. That’s in part because of the lofty price tag associated with advertising during the game, with reports the network is commanding $7 million on average per 30-second spot.
The opportunities to capitalize on the NFL’s unparalleled popularity, however, don’t stop there. And marketers have become increasingly savvy about leveraging excitement around the playoffs, including this weekend’s league-championship games, which also promise to be an enormous attraction.
Disney has aggressively used football to promote the first major blockbuster to roll out this calendar year, the Marvel sequel “Captain America: Brave New World,” during the playoffs. Scheduled to open Feb. 14, the Anthony Mackie-starring film already received extensive advertising during earlier rounds of the playoffs ahead of a synergistic “sneak peek” during this week’s college-football championship game on Disney-owned ESPN, which averaged more than 22 million viewers, a 12% decline from last year.
Although the Super Bowl, which attracted almost 124 million viewers on NBC and its sister networks last year, dominates sports ratings, the NFL playoffs and division championships still deliver vast audiences of their own, including millions of younger men, a key demographic that’s often difficult to reach via linear TV platforms.
Notably, this weekend’s AFC championship games — defending Super Bowl champs Kansas City Chiefs vs. the Buffalo Bills on CBS and the Philadelphia Eagles vs. the Washington Commanders on Fox, both airing Sunday — will likely deliver lots of eyeballs to whatever ads studios run. Last year’s conference championship games, Kansas City vs. Baltimore on CBS and Detroit vs. San Francisco on Fox, averaged 55.5 million and 56.3 million viewers, respectively.
Ads in those games reportedly cost about $3 million each — a relative bargain compared to the Super Bowl. Although that game carries plenty of intangible benefits, including the media hoopla that surrounds the Super Bowl ads and the game’s ability to reach viewers as interested in the ads as the on-field action.
While there will be other major sporting events between now and summer, including March Madness (the NCAA basketball tournament) and NBA playoffs from April into June, nothing in sports rivals the NFL in terms of size or scale — especially in an increasingly fragmented TV environment.
Film marketers nevertheless face tough decisions on how best to allocate their budgets, since the Super Bowl offers the ability to gin up excitement about movies — often months in advance — but no assurances of success.
Last year’s lineup of Super Bowl movie ads included the eventual hits “Deadpool & Wolverine” (which bypassed in-game rates, airing a teaser spot during the pregame festivities), “Wicked” and “Twisters,” but also “The Fall Guy” and “IF,” which delivered disappointing box office returns when they opened in May.
Studios generally play their cards close to the vest on Super Bowl marketing plans until the last minute, and this year remains no exception.
Disney will be back to promote unspecified properties in Super Bowl LIX, a studio insider confirmed to TheWrap. Opening the same week as the game, “Captain America: Brave New World” is the most immediate concern — the studio is leveraging Harrison Ford turning into Red Hulk in marketing the first “Captain America” movie without Chris Evans. But other major releases due this year include another Marvel title, “Thunderbolts*,” as well as the live-action “Lilo & Stitch” in May. All are possibilities for Super Bowl spots.
But those marketing decisions aren’t strictly limited to movies, with TV and streamers recognizing the inherent power of the Super Bowl for projects with the heft to merit such exposure. Amazon, for example, used the 2022 Super Bowl to tease its “The Lord of the Rings” series, while Disney’s spots last year included FX/Hulu’s period epic“Shōgun,” which went on to dominate the Emmys and Golden Globes.