AppleTV is smooth but as others pointed out you shouldn’t trust their claims that they’re private. They’re probably more private than e.g. Google out of the box, but not an actual privacy company.
Side note: in case you’re an Apple user and you weren’t aware of this, you can make it a bit better by obtaining your private key so that you have actual E2EE and you can add hardware keys for 2FA which makes it more secure. Of course this should be the bare minimum but it’s nice that they support these things out of the box.
Regarding metadata: https://support.apple.com/en-us/102651#%3A~%3Atext=This+metadata+is+always+encrypted%2CAdvanced+Data+Protection+is+enabled.
Maybe it’s worth checking if you’re okay with what kind of metadata they’re processing.
OP that’s a killer list of books you’ve read. IMO you have a point. To all the people who say that you’d be alienated from watching old movies, that method acting is important and that special effects of the last 20 years are what makes it different, idk. It really depends on what you’re looking for.
Hitchcock movies or the stuff with Humphrey Bogart, Marlon Brando, even the super racist Italo Western movies, the very old Kubrick stuff, that’s all great cinema.
I’m as left wing as it gets but I also get very alienated by the “diversity” and “feminism“ modern Hollywood & Netflix cinema. It’s the same type of diversity and feminism that exists in corporate, where there is diversity in terms of ethnicity and sexuality, but only within class. It’s a fictional world to me the same way the old movies are, just done by a different bunch of people living in their own world.
There’s still some good cinema and good shows out there every now and then, but to think old movies can’t compete with modern TV & cinema just because they’re old is a very simplistic take.