The question about the legal and moral aspects of training on works of other artists is related, but a different discussion.
The question about the legal and moral aspects of training on works of other artists is related, but a different discussion.
I think you’re confusing art with « content ». When I experience art (of any kind, painting, music, writing, highbrow or lowbrow), I’m interacting with the artist, their intention, sensibility, politics, etc. I don’t feel that connection with statistically generated images or prompt engineers, sorry.